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SMALL IRONIES: Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Three Continents

From the ship at sea 1

From the ship at sea 2

From the ship at sea 3

From the ship at sea, 4

From the ship at sea, 5

From the ship at sea , 6

From Rio!!

The Trip Home

NEW SHORT STORIES

Nothing There For You

Nothing There For You, 2

Nothing There For You, 3

Nothing There For You, 4

Chase of The Thrill, 1

Chase of the Thrill, 2

Chase of the Thrill, 3

Chase of The Thrill, 4

Of Course, part1

Of Course, part 2

Of Course, part 3

Of Course, concluded

In Memory: Of My Cruise 1

In Memory: Of My Cruise 2

In Memory: Of My Cruise 3

In Memory: Of My Cruise 4

Las Vegas, 1

Las Vegas, 2

Las Vegas, 3

Las Vegas, 4

Las Vegas, concluded

Mad Moment #1

Mad Moment #2

Mad Moment #3

Mad Moment #4

Margaret Never Knows, 1

Margaret Never Knows, 2

Margaret Never Knows, 3

Margaret Never Knows, 4

Margaret Never Knows, 5

Remote, part 1

Remote, part 2

Remote, part 3

Remote, concluded

POETRY

April's Fools

Easter Sunday

...simple answers

And when they come at me

Fogged In

BROADWAY

Curtains

Barrington Stage Company

Mysteries of Harris Burdi

...Spelling Bee

I Am My Own Wife

Trumbo

Berkshire Opera

La Boheme

Berkshire Theatre Fest.

Candida

The Caretaker

Chester Theatre Company

Blackbird

Copake Theatre Company

Nine Months

I Do! I Do!

Sour Grapes

Talking Heads

Grace & Glorie

Dorset Theatre Festival

Theophilus North

Talley's Folly

Dulcy

Sleuth

Ghent Playhouse

6 Women...

Picnic

Hair Loom!

Over the River, etc.

Cinderella

Oldest Profession

See How They Run

Tintypes

Wait Until Dark

Literature

Christmasville

A Lesser Saint

Upstreet, #1

Mac-Haydn Theatre

Chorus Line

Music

NYSTI

Anastasia

1776

Macbeth

Miracle On 34th Street

Arsenic and Old Lace

American Soup

Ordeal By Innocence

Reunion

Oldcastle Theatre Company

The Grass is Greener

Restaurants

Bezalel Gables

Blantyre

Brazillian

Burrito Bound

SPICE!

Shakespeare & Co.

All's Well That Ends Well

The Ladies Man

Special Attractions

Late Nite Catechism

Rabbit Hole

Taming of The Shrew

Mystery of Irma Vep

daemons

I Love a Piano

Walking the dog's HAMLET

The News in Revue

Cyrano

The Mikado

Saturday Night Liv

A Chorus Line

The Gospel of John

BCC - Christmas Carol

Morgan O-Yuki

Rent

Theater Barn

Same Time, Next Year

How the Other Half Loves

Visual Arts

Weston Playhouse

a number

Hairspray

Master Harold...

Williamstown Theatre Fest

She Loves Me

The Atheist

Beyond Therapy

Herringbone

Herringbone revisited

Dissonance

The Front Page

Villa America

Blithe Spirit

Party Come Here

The Corn is Green

The Physicists

Crimes of the Heart

The Autumn Garden

Cinderella, a Panto
by Judy Staber and the Loons
Directed by Tom Detwiler

The Uglies: Ron Harrington (Bagatha Chrispa), Tom Detwiler (Baroness Hardcastle), Rick Rowsell (Hagnes Demure)

Reviewed by J. Peter Bergman

          Judy Staber and friends are at it again at the Ghent Playhouse and, frankly, the humor and the mirth they spread is exactly what you need to start this celebratory, joyous season. The story is a classic: Cinderella. Their take on the tale is what makes it such a delicious experience.

          If you’ve never seen a "Panto", an old English holiday tradition, you may not know what to expect. Well, simply put, parody, cross-dressing or travesty, political humor, song lyrics designed to fit into existing tunes you already can hum and a slightly altered perception of the characters you love or hate, make up the core of Panto. There is no "mime" attached, just outragreously bad jokes that make you laugh anyway and the fun of participating in something unique and wonderful. Suspend all your ideas about what a musical is, what theater is about; this is not that. This is Panto.

          To make it easier for their audiences they open with a song called "That’s a Panto". Set to the tune of the old Dean Martin hit, "That’s Amore," you can easily sing along while learning the basics of what’s to come and your part in it. After that its every man, woman and child, for him or herself.

          The characters. Well, this is Cinderella, after all, so the heroine is pretty easy to identify...or is she? Cathy Lee Visscher takes on the seventeen year old and makes her oddly believable, even in her more Valley Girl moments. She looks great, sings beautifully and has a way of being rude to those who want to help her that even startles those nice characters. Visscher is a joy to watch and hear (and her hair looks great!)

          As her Fairy Godmother we have the divine Ms. Staber herself, Doyenne of the Panto. Yes, she admits, it’s the same dress she wore the last time she played the part, and yes, it’s the same wig too. Still, as she tells us from behind her drooping wand, "Nobody Loves a Fairy." And yes, she’s just as good, just as much fun and just as right in her solo songs as could be.

          Tom Detwiler plays Baroness Hardcastle, the evil stepmother, with so much style and fortitude you’d think it was Joan Crawford come back to life. As her two ugly daughters, Bagatha Chrispa played by Ron Harrington and Hagnes Demure played by Rick Rowsell, the competition for the ugliest woman on any regional stage is definitely on. All three are hilarious and, frighteningly, almost believable in their roles. They capture three consecutive songs (All We Need is an Evening Dress//When Mama Re-Married//I Feel Ugly) and control the stage for much longer than they can control the Prince. Heaven help them at the cast party!!

          Sally McCarthy is Prince V Charming (I won’t tell you what the V is for - you’ll have to find out for yourself) and Johnna Murray is Major Domo. Together or apart, in solos or duets - including "Your Feets Too Big," these two could almost carry the show themselves. They are just super in their male roles.

          Joanne Maurer is King Mum (remember Queen’s Elizabeth’s mother, the Queen Mum) and Paul Murphy is Queen Blair ("you look so tony, Blair" the King says at one point - yes, that the level of the humor). A better pair of royals never existed, even if the Queen is right out of Greenpoint, Brooklyn and the King is almost as stupid as his dog ("Here, King. Here, King.").

          And finally, there’s the chimney sweep - and confidante to Cinderella - Dusty Grimes played by Walter Bauer. He’s terrific in a role that only adds a tiny bit of dirt, and a smidgeon hint of smut, to the proceedings. Just how long have he and Cinderella been consorting inside that chimney after all?

          Paul Leyden is the music director, playing the twenty musical numbers and an overture. I won’t tell you anything more about his on-stage personna - that you MUST see for yourself. Tom Detwiler has directed this romp with flair (not Blair) and the sets and costumes by cast members work beautifully. Ian Gulliver does his usual fine job with the lights and, even though the program says the script is by Staber (with input from everyone) it is her sense of humor that carries the evening so well.

          I urge you to see this, and to get into that festive spirit the season demands. There won’t be anything like it around these parts again – until next year at this time, I hope and pray.

◊ 12-03-06 ◊

Cinderella plays at the Ghent Playhouse through December 10. For performances times and reservations call 518-392-6264. The Ghent Playhouse is just off Route 66 in Ghent, New York.

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