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SMALL IRONIES: Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Epilogue

Three Continents

From the ship at sea 1

From the ship at sea 2

From the ship at sea 3

From the ship at sea, 4

From the ship at sea, 5

From the ship at sea , 6

From Rio!!

The Trip Home

NEW SHORT STORIES

Nothing There For You

Nothing There For You, 2

Nothing There For You, 3

Nothing There For You, 4

Chase of The Thrill, 1

Chase of the Thrill, 2

Chase of the Thrill, 3

Chase of The Thrill, 4

Of Course, part1

Of Course, part 2

Of Course, part 3

Of Course, concluded

In Memory: Of My Cruise 1

In Memory: Of My Cruise 2

In Memory: Of My Cruise 3

In Memory: Of My Cruise 4

Las Vegas, 1

Las Vegas, 2

Las Vegas, 3

Las Vegas, 4

Las Vegas, concluded

Mad Moment #1

Mad Moment #2

Mad Moment #3

Mad Moment #4

Margaret Never Knows, 1

Margaret Never Knows, 2

Margaret Never Knows, 3

Margaret Never Knows, 4

Margaret Never Knows, 5

Remote, part 1

Remote, part 2

Remote, part 3

Remote, concluded

POETRY

April's Fools

Easter Sunday

...simple answers

And when they come at me

Fogged In

BROADWAY/NYC THEATRE

Love, Linda

Curtains

Barrington Stage Co. 2010

Art

Pool Boy

Sweeney Todd

The Whipping Man

Freud's Last Session

BSC ARCHIVED REVIEWS

Carousel

The Fantasticks

I Am My Own Wife

Mysteries of Harris Burdi

Private Lives

See Rock City. . .

Sleuth

...Spelling Bee

A Streetcar Named Desire

This Wonderful Life

To Kill a Mockingbird

Trumbo

Underneath the Lintel

The Violet Hour

Berkshire Opera

Le Nozze di Figaro

La Boheme

Berkshire Theatre 2010

The Guardsman

Endgame

The Last Five Years

K2

BTF ARCHIVED REVIEWS

BTF Archive

The Book Club Play

Broadway by the Year

Candida

Candide

The Caretaker

A Christmas Carol

The Einstein Project

Eleanor: Her Secret Journ

Faith Healer

Ghosts

A Man For All Seasons

Noel Coward in Two Keys

Pageant Play

Prisoner of 2nd Avenue

Red Remembers

Sick

Waiting for Godot

Chester Theatre Company

Tilted House

The Dishwashers

Almost, Maine

Blackbird

Copake Theatre Company

Nine Months

I Do! I Do!

Sour Grapes

Talking Heads

Grace & Glorie

Dorset Theatre Fest 2010

Murder on the Nile

Fallen Angels

The Pavilion

DORSET ARCHIVED REVIEWS

The Hollow

June Moon

Marry Me a Little

Merton of the Movies

St. Nicholas

A Year with Frog and Toad

Ghent Playhouse

Prisoner/2nd Avenue

Mrs. Farnsworth

Complete Wm Shakespeare

Puss in Boots

Belles

Enchanted April

Dancing at Lughnasa

The Boys Next Door

Jack and the Beanstalk

Clue: The Musical

6 Women...

Picnic

Hair Loom!

Over the River, etc.

Literature

B ob Dylan

Christmasville

A Lesser Saint

Upstreet, #1

Mac-Haydn Theatre 2010

Damn Yankees

Chicago

The Secret Garden

Anything Goes

MACHAYDN ARCHIVED REVIEWS

Beauty and the Beast

Chorus Line

Crazy For You

Hairspray

Hello, Dolly!

High Society

Joseph. . .Dreamcoat

Meet Me in St. Lou

Phantom

The Sound of Music

Sweet Charity

Music

Journeys by Robert Baksa

Mary Verdi: Precious Love

Mahagonny

NYSTI

Romeo & Juliet

And Then There Were None

King Island Christmas

A Legend of Sleepy Hollow

The Philadelphia Story

Yours, Anne

Orphan Train

Of Mice and Men

Twelve Angry Jurors

Anastasia

1776

Macbeth

Miracle On 34th Street

Arsenic and Old Lace

American Soup

Ordeal By Innocence

Reunion

OLDCASTLE ARCHIVED REVIEW

"Almost, Maine" in VT

Beauty Queen of Leenane

The Grass is Greener

One Two Three

Third

Restaurants

Bezalel Gables

Blantyre

Brazillian

Burrito Bound

SPICE!

Shakespeare & Co-2010

The Winter's Tale

Richard III

Mengelberg and Mahler

Julius Caesar

SHAKES & CO ARCHIVES

The Actors Rehearse...

All's Well That Ends Well

Bad Dates

The Canterville Ghost

Cindy Bella

Dreamer Examines Pillow

Goatwoman of Corvis Count

Golda's Balcony

Hound of Baskervilles

The Ladies Man

Liaisons Dangereuses

Othello

Pinter's Mirror

Romeo and Juliet

Shirley Valentine

Twelfth Night

White People

Special Attractions

"Earnest" in Albany

Life Is Short

Paris, 1890--Unlaced

BCC's A Christmas Carol

Sister's Christmas Catech

The Pajame Game

Her Name is Vincent

Property Known as Garland

12th Night

I Know I Came...Something

Forbidden Broadway

Doubt, a Parable

Voices' A Christmas Carol

Dickens A Christmas Carol

Marie Galante

Machinal

Capitol Steps

Late Nite Catechism

Rabbit Hole

Taming of The Shrew

Mystery of Irma Vep

I Love a Piano

The News in Revue

The Mikado

Saturday Night Liv

A Chorus Line

BCC - Christmas Carol

Morgan O-Yuki

Rent

Stageworks Hudson 2010

Imagining Madoff

Or,

Theater Barn 2010

Spider's Web

Red, White and Tuna

THEATER BARN ARCHIVES

Dirty Rotten Scoundrels

Forever Plaid

Grease

How the Other Half Loves

Leading Ladies

Moonlight and Magnolias

The Mousetrap

Murder at Howard Johnson

The Musical of Musicals

Romance, Romance

Same Time, Next Year

Veronica's Room

Visiting Mr. Green

Zanna Don't!

Visual Arts

Walking the Dog Thtr 2010

Our Town

WALKING THE DOG: ARCHIVED

Cyrano

daemons

The Gospel of John

i take your hand in mine

The Owl and the Pussycat

Under Milk Wood

Vritue, Desire, etc.

Walking the dog's HAMLET

Weston Playhouse

A Raisin in the Sun

Rent - Weston

25th Spelling Bee

Fully Committed

Les Miserables

No Child. . .

The Light in the Piazza

Williamstown Theatre 2010

After the Revolution

Six Degrees of Separation

Samuel J. and K.

Funny Thing II

Funny Thing/Forum

It's Jewdy's Show

WTF ARCHIVED REVIEWS

The Atheist

Beyond Therapy

Broke-Ology

Caroline in Jersey

Children

David Storey's "Home"

A Flea in Her Ear

Knickerbocker

Quartermaine's Terms

She Loves Me

Three Sisters

The Torch-Bearers

True West

What is..Cause of Thunder

A dozen tea roses
Chapter Nine

from The International Thesaurus of Quotations:

"The most I ever did for you was to outlive you/
But that is too much."

Edna St. Vincent Millay, untitled, Make Bright the Arrows (1940)

 
          "When I lost you for good and all, when I lost you I lost my heart." That’s how I hear myself in the quiet of night sometimes. My own voice comes to me in the darkness, out loud, but not too loud for I don’t want to wake Tooie. She is in the next room, in her own room, her own bed, but the door between our cells stands open so we can hear one another if there is an emergency. Or simply a need for a hand to hold. That happens sometimes. It’s the way for married people, old married couples who are affectionate and deeply involved but not necessarily sexually so. Tooie and I are very close. She is dear. She is as much as I have in this life of the woman I loved and should have married. I was an ass. A pompous and deliberate ass.


          Lainie told me she loved me and I believed her for as long as I did because I wanted to believe her. She had come to me in my life as someone indescribable. It was a miracle that she came to me at all. I should never have left her the way that I did, but I did what I had to do then because I didn’t know what else to do. Oh, yes, I knew I could go the other way, but my two selves were at war, battle-fatigued by the fence that had been installed by my own hand.


          I wanted to know more than just the betrayal. I wanted to know the beauty. I wanted to experience everything that was positive and nothing that was even the least bit disturbing. Tooie tells me that I am the world’s last innocent, a soul without blemish, but that’s not true. I was never an innocent, a blemish-free soul. I was a man who couldn’t bear the thought of the thing that was perfect housing a shadowed flaw.


          Lainie was flawed and I should have known it. I should have known it before my heart and my love were so much at stake. But I was an ass, as I said. I never asked and she never told. Accidents will happen and when our did, it was more than I could bear and I was a fool. I acted badly and I betrayed what was best in both of us. I have never forgiven myself.


          Myself. What is that? Who is that? I don’t even know any longer. Vincent Compton. Who is that? What is that? I don’t know any more. I don’t know.


                                                                             ♦

          Vincent Compton got out of the automobile and reached for the newspaper the man at the stand was holding out for him. The nickel he handed the vendor was new and shiny and it sparkled in the bright sunlight. He returned to the driver’s seat and slapped the periodical down on the seat next to him. It flopped open and its headline was too revealing, too important to ignore:


                                     SACCO/VANZETTI DEAD.
                              DEMONSTRATORS ENRAGED


          It was August 24, 1927. Two men, accused, tried and convicted of murder, but condemned for their radical politics, had inspired the creative minds of the nation to campaign for justice. Six years of hearings had taken their toll on many, including George Bernard Shaw, Einstein, H.G. Wells and the poet Edna St. Vincent Millay who had gone to jail for her vocal protestations of their innocence. Vincent Compton had not taken part in any protests or even attended single seminar on the case. He was a closet Socialist himself and for his family’s sake he had kept his profile low in these dangerous days.


          Besides it was the 1920s. Life was lived in the fast lane if you could pull over into it. Compton had tried to make that move but each time he started in that direction something pulled him back, called him up short. The vo-do-dee-do life was an elusive one even though he could see it, hear it, taste it even all around him. He loved the new jazz music. He liked to dance and could fox-trot and charleston as well as anyone. Women’s clothes, short, flimsy, decorated with beads and fringe attracted him, especially when there were long legs and bare arms attached to those dresses. He had natural appetites and he wanted to indulge them, but there was still an old moral sensibility that held him at bay. He hated it.


          But this day, this particular day, with Sacco and Vanzetti gone, there was a new and terrible tremor in the city. It was unavoidable. It was like the new subway system that rocked and shook and made the subterranean walls shiver. Here it existed above ground, in every building, in every street. He parked the car, tossed the still unread newspaper into a trash can and walked down the street to the nearest speakeasy, determined to have a drink, to forget his inability to communicate his needs.


  
          When he entered the Sparta Sportsman’s Club on West 55th Street he thought, at first, that it was empty. There wasn’t another soul at the bar, so he took a stool in the center of the row of nine and waited for the barman to take his order.


          "A beer, I think," he said. The barman looked him over carefully, then spoke.


          "I’m afraid you have to be a member here, Sir. Are you a member?"


          "I’m not," Compton admitted. "I didn’t know..."


          "Give him a beer, Teddy," a woman said from somewhere in the gloom behind him. Compton turned and squinted in the dimness of the large room. He saw a slight flash of light from a corner, perhaps in a booth, he wasn’t sure yet. His eyes had not adjusted to the change of light from the bright outdoors to this place with its few candles. "It’s early. He needs a beer."


          "Sure. Why not? And if we’re busted, I’m calling you out on this, Lainie."


          "Thanks...whoever you are," Compton said, adding quickly, "whereever you are."


          "Think nothing. You looked like you needed one."


          "I don’t need...well, I guess I could use...that is..."


          "It’s okay, kid. Just relax and enjoy it."


          "Where are you?" Compton asked. "I can’t see you."


          "Your beer, sir," said the barman behind him. Compton turned to look at him, this man he could see. "Twenty cents, please."


          "It’s on me, Teddy. No charge."


          "Okay, sister." The barman moved away and into his own dim corner at the end of the mahagonny bar. Compton felt someone at his elbow and when he turned the woman who had bought him a beer was standing there, so close, so near to him. Her being there was a surprise, so sudden, so unannounced, and he took a moment to blink a few times, not sure whether she was actually near him or not.


          "Enjoy your beer, Mister..."


          "Compton," he said. "Vincent, please."


          "Mr. Compton, then." Her voice was like a honey-coated purr. He found himself looking into her eyes and seeing himself reflected in them, two Comptons, both with that sad expression that came over his face when he felt uncertain of his next move, his motivations.


          "Hello," he said. "And thanks."


          "It’s okay. I got the change."


          "What do I call you?" he asked.


          "Lainie. It’s a simple name. Say it a few times. It’ll be yours."


          "Lainie," he said, and then he repeated it a few time, saying it differently each time.


          "That was good," she told him. "You sounded sincere once or twice in there."


          "Oh, I was. I am."


          "Nice to know," she said. "Very nice to know you."


          "Very nice to know you too, Lainie."


          "Oh, Mr. Compton, you used my name in a complete sentence." Her cooing tone made him wonder about her own degree of sincerity, but it also made him smile so he decided not to think too much about her sincerity.


          "It’s a nice name. I’d like to use it often," he said in perhaps the most romantically motivated statement he’d ever made. "You're like a dozen red, red tea-roses, don't you know. I'll have to say your name a lot."


          "We’ll have to arrange that somehow."


          She put her hands on top of his, tapping it a few times with her fingers. The sensation that produced in him was one he found verbally indescribable: soft and gooey with a hardening of arteries in parts of his body that didn’t naturally harden. He had no male friends to talk with about the way Lainie made him feel at that moment, and he certainly couldn’t describe it to his mother. He decided to leave it to memory alone and not try to talk about it.


                                                                           ♦
 
          That memory of our meeting was with me when I stood in the funeral parlor so many years later looking at her daughter Lana and her grandson, Maxwell. Between them, mother and son, daughter and grandson, I could see the Lainie I first knew on that strange summer afternoon in 1927. I had outlived this woman I should have loved better than I had. I had given that to both of us. I could fulfill the promise I made to her one night, long after we had parted, after I had married her best friend, Tooie the Lesbian. I could be the man I promised her I would be.

         
I just had to figure out how to do that. I have my limitations.


                                                        ###


 

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